ミMIJ/NETWORK
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MIJ NETWORKVOL. 01  /  CULTURE

JAPANESE GUITAR CULTURE / OPEN TO ALL

MIJ
NETWORK.

A public notebook for Japanese guitar culture.

縁がつなぐ
CONNECTED BY GUITARS
ONE SCENE  /  MANY WAYS INCOLLECTORS  ·  PLAYERS  ·  CURIOUS MINDSPHOTO: MARCEL ARDIVAN / UNSPLASH
MN—001
///COLLECTORS✳PLAYERS✳BUILDERS✳THE CURIOUS//////COLLECTORS✳PLAYERS✳BUILDERS✳THE CURIOUS///
NO. 01
ABOUT THE NETWORK

A place to
follow the thread.

MIJ Network is a public notebook for Japanese guitar culture: the makers, catalogues, factories, players, repairs, shops and odd little details that rarely fit in one place.

Bring a question, a photograph or a lead. The point is to compare notes and leave the next person with something useful.

SEE WHAT PEOPLE ARE ASKING ↘
02 / THE RABBIT HOLES

EVERY
THREAD.

Pick a door.
See where it takes you.

03 / FIELD GUIDE

START
HERE.

The quick version.
There is always more to find.

What does MIJ mean?

MIJ is commonly used for “Made in Japan.” In this network it also points to the wider culture around Japanese guitars: the instruments, makers, catalogues, players, shops, repairs and stories.

Where should I start with Japanese guitars?

Start with the one in front of you. Photograph the logo, serial number, hardware and pickups. Write down what you know before you start guessing at the year or the price.

How do I research an unfamiliar Japanese guitar?

Do not trust one stamp on its own. Compare catalogues, adverts, factory details and photographs of other examples. The answer is usually spread across a few different clues.

Is MIJ Network only for collectors?

No. Players, builders, repairers, researchers, sellers and people who are simply curious are all part of the conversation.

What can I share here?

Questions, discoveries, catalogue scans, repair lessons, tone experiments, buying stories and the strange little details that make a guitar worth remembering.

04 / WORDS YOU’LL SEE

THE
GLOSSARY.

Short explanations.
Room for debate.

MIJ

Made in Japan

A shorthand people use for Japanese-made guitars. It tells you where an instrument was made, not automatically what it is worth.

LAWSUIT

The copy era

A loose nickname for the period when Japanese makers built close versions of famous American designs. The word gets used too broadly, so check the actual guitar.

CATALOGUE

The paper trail

Old catalogues can show models, finishes, prices and changes between years. They are useful evidence, but they do not answer every question.

POT CODE

A small clue

A date or maker mark on a control pot can help narrow down a guitar’s timeline. It dates the part, not necessarily the whole instrument.

NECK STAMP

Under the neck

Stamps, pencil marks and route details can help identify a factory or model. Photograph them before cleaning or changing anything.

PROVENANCE

The guitar’s story

Receipts, old photos, cases, tags and a clear ownership trail can make an instrument easier to understand and easier to trust.

05 / A ROUGH TIMELINE

THE
ERAS.

The dates overlap.
The clues still matter.

BEFORE THE COPY

Domestic experiments

Early builders, imported parts, original designs and local ideas that don’t fit the usual “lawsuit” story.

01
COPY ERA

Familiar shapes, different answers

Japanese makers refined well-known designs while developing their own factories, hardware and standards.

02
REFINEMENT

More than a copy

Better construction, stronger finishing and increasingly confident domestic ranges changed what buyers expected.

03
CUSTOM WORK

Small runs, serious details

Hand-selected woods, shop orders, higher-spec models and builders working at a different pace.

04
NOW

The craft continues

Modern Japanese builders carry the ideas forward. The labels changed; the attention to the instrument did not.

05

These are working categories, not hard borders. Catalogues, factory changes and export markets rarely line up perfectly.

06 / THE EVIDENCE DESK

SHOW
YOUR WORK.

A source can change the story.
Keep the trail with it.

01 / STRONGEST

Original catalogues

Model names, prices, finishes and lineups as the manufacturer printed them.

PRIMARY SOURCE
02 / SOLID

Factory and dealer documents

Order sheets, dealer literature, advertisements and paperwork tied to a date.

CONTEMPORARY RECORD
03 / USEFUL

Magazines and photographs

Period coverage and clear owner photographs can fill in details a catalogue missed.

CONTEXT
04 / LEAD

Community knowledge

Forums and collector memory can point somewhere useful. Check the claim before repeating it.

FOLLOW THE CLUE
SEE THE AUTHENTICITY THREAD ↘
07 / COMMUNITY FREQUENCY

OPEN
CHANNEL.

EXPLORE TOPICS ↗

Got a guitar you can’t place? Found a catalogue page? Start there.

NEW TO THE SCENE? YOU’RE IN THE RIGHT PLACE.STEP INSIDE THE TOPIC BOARD ↗
08 / THE OTHER ROOMS

KEEP
GOING.

More places to look
when one guitar leads to another.