Made in Japan
A shorthand people use for Japanese-made guitars. It tells you where an instrument was made, not automatically what it is worth.
JAPANESE GUITAR CULTURE / OPEN TO ALL
A public notebook for Japanese guitar culture.
MIJ Network is a public notebook for Japanese guitar culture: the makers, catalogues, factories, players, repairs, shops and odd little details that rarely fit in one place.
Bring a question, a photograph or a lead. The point is to compare notes and leave the next person with something useful.
SEE WHAT PEOPLE ARE ASKING ↘Pick a door.
See where it takes you.
The names on the headstock, the factories behind them and the people who built the things.
ASK ABOUT IT ↗ 02Old adverts, price lists, weird translations and the page that finally gives it away.
COMPARE NOTES ↗ 03Vintage, lawsuit, refined, custom and the years nobody can agree on.
SORT IT OUT ↗ 04Setups, refrets, pickups, parts and the stuff you only notice after you open it up.
SHOW YOUR WORK ↗ 05The records, rigs, hands and sounds that make one guitar feel different from another.
TALK TONE ↗ 06Buying, selling, identifying, valuing and figuring out what the last owner changed.
COMPARE NOTES ↗ 07Used shops, local leads, online listings and the moments when a good guitar turns up.
FIND THE LEAD ↗ 08Hardware, electronics, upgrades and the small changes that can alter the whole instrument.
OPEN THE CAVITY ↗ 09The players, records and sounds that put Japanese guitars on the map in the first place.
FOLLOW THE SOUND ↗ 10Factory towns, export routes and the places that shaped how these guitars reached the world.
TRACE THE ROUTE ↗ 11Obscure builders, repair shops, custom work and the strange details that refuse to fit a label.
GO OFF-ROAD ↗The quick version.
There is always more to find.
MIJ is commonly used for “Made in Japan.” In this network it also points to the wider culture around Japanese guitars: the instruments, makers, catalogues, players, shops, repairs and stories.
Start with the one in front of you. Photograph the logo, serial number, hardware and pickups. Write down what you know before you start guessing at the year or the price.
Do not trust one stamp on its own. Compare catalogues, adverts, factory details and photographs of other examples. The answer is usually spread across a few different clues.
No. Players, builders, repairers, researchers, sellers and people who are simply curious are all part of the conversation.
Questions, discoveries, catalogue scans, repair lessons, tone experiments, buying stories and the strange little details that make a guitar worth remembering.
Short explanations.
Room for debate.
A shorthand people use for Japanese-made guitars. It tells you where an instrument was made, not automatically what it is worth.
A loose nickname for the period when Japanese makers built close versions of famous American designs. The word gets used too broadly, so check the actual guitar.
Old catalogues can show models, finishes, prices and changes between years. They are useful evidence, but they do not answer every question.
A date or maker mark on a control pot can help narrow down a guitar’s timeline. It dates the part, not necessarily the whole instrument.
Stamps, pencil marks and route details can help identify a factory or model. Photograph them before cleaning or changing anything.
Receipts, old photos, cases, tags and a clear ownership trail can make an instrument easier to understand and easier to trust.
The dates overlap.
The clues still matter.
Early builders, imported parts, original designs and local ideas that don’t fit the usual “lawsuit” story.
Japanese makers refined well-known designs while developing their own factories, hardware and standards.
Better construction, stronger finishing and increasingly confident domestic ranges changed what buyers expected.
Hand-selected woods, shop orders, higher-spec models and builders working at a different pace.
Modern Japanese builders carry the ideas forward. The labels changed; the attention to the instrument did not.
These are working categories, not hard borders. Catalogues, factory changes and export markets rarely line up perfectly.
A source can change the story.
Keep the trail with it.
Model names, prices, finishes and lineups as the manufacturer printed them.
PRIMARY SOURCEOrder sheets, dealer literature, advertisements and paperwork tied to a date.
CONTEMPORARY RECORDPeriod coverage and clear owner photographs can fill in details a catalogue missed.
CONTEXTForums and collector memory can point somewhere useful. Check the claim before repeating it.
FOLLOW THE CLUEGot a guitar you can’t place? Found a catalogue page? Start there.
More places to look
when one guitar leads to another.
HISTORY & CATALOGUESMIJ ARCHIVEBrowse catalogues, makers and the printed history behind the guitars.EXPLORE ↗
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STORIES & MEDIAMIJ CONFIDENTIALLong-form stories on the history, mystery and passion of Japanese guitars.READ & WATCH ↗
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GUITARS & GEARTSUNAMI GUITARSExplore Japanese guitars, their details and the stories that travel with them.SEE THE GUITARS ↗