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THE
GLOSSARY.

Short explanations for the words that keep turning up in Japanese guitar research.

REFERENCE DESK  /  20 TERMS
言葉 — THE WORDS MATTER
WORDS YOU’LL SEE

START
HERE.

Useful shorthand.
Room for debate.

MIJ

Made in Japan

A shorthand for place of manufacture. It does not prove a maker, factory, date or value on its own.

LAWSUIT ERA

Close copies, real craft

A loose name for the period when Japanese makers built close versions of famous American designs. Check the actual guitar rather than trusting the label.

VINTAGE

Older, not automatically better

A sales word as much as an age description. Ask for a date, condition report and evidence before attaching value.

CATALOGUE

The paper trail

Catalogues show models, finishes, prices and changes between years. Useful evidence, but never the whole answer.

OEM

Built for another label

Original equipment manufacturer. A factory may build instruments sold under another company’s name.

BRAND / LABEL

The name on the headstock

The label is not always the factory. Separate who sold the guitar from who designed, ordered or built it.

SERIAL NUMBER

One clue, not a verdict

Serial systems vary by maker and era. A number may narrow a date, but it needs to agree with the guitar’s other details.

POT CODE

A small clue

A date or maker mark on a control pot dates the part, not necessarily the whole instrument.

NECK STAMP

Under the neck

Stamps, pencil marks and route details can help identify a factory or model. Photograph them before cleaning.

ROUTING

What the wood remembers

Cavities and channels cut into the body can reveal pickup layouts, factory habits or later modifications.

PARTS GUITAR

A guitar assembled from clues

An instrument made from mixed or replaced parts. It can be a great player while having uncertain originality.

REFIN

A changed finish

A refinish can hide original colour, stamps and wear. Look for overspray, edge lines and finish inside cavities.

VENEER / TOP

Surface wood matters

A thin decorative veneer or cap is not the same as a solid carved top. Listings often blur the difference.

SET-NECK

Joined with glue

The neck is fitted into the body and glued in place. The joint, heel shape and finish can help date or identify a model.

BOLT-ON

Joined with screws

A removable neck construction common on many Japanese designs. Neck plates, pocket shapes and shims can carry useful evidence.

SCALE LENGTH

Feel and measurement

The distance from nut to bridge speaking length. Measure carefully; a small difference changes feel and intonation.

NUT WIDTH

First-fret room

The width across the nut. It affects hand feel and is worth recording alongside scale length.

PROVENANCE

The guitar’s story

Receipts, old photos, cases, tags and a clear ownership trail make an instrument easier to understand and trust.

ORIGINALITY

What is still as-built

Separate original, period-correct, replaced and modified parts. A changed part is information, not automatically a flaw.

DOCUMENTED

Show the source

A claim supported by an original catalogue, dated document, clear photograph or physical evidence that can be checked.

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